EXHIBITION NEWS
Upcoming
'Vast Eternal Things'
Galerie Felli, Paris, France
April 24 - May 20 2025
I'm pleased to announce my solo exhibition with work inspired by the poem 'A Memory' by George William Russell.
"We were grave in our way divining
How childhood was taking wings,
And the wonder world was shining
With vast eternal things'
EXPO CHICAGO
GBS Fine Art
24th – 27th April 2025
Navy Pier, Chicago, USA
Jeffrey Blondes • Sue Bryan • Harry Cory Wright • Jeremy Dickinson • Hugh Hamshaw Thomas • Keiron Leach • Cathy de Monchaux • Georgia Moors • Magnus Petersson • Gill Rocca • Richard John Seymour • Harriet White
Past
LONDON ART FAIR - January 22 - 26 2025
I am delighted to be exhibiting with GBS Fine Art at the London Art Fair in January 2025. I will be showing a new body of work made on reclaimed book covers. Contact giles@gbsfineart.com directly for more information, or find the tree creatures displayed on Stand 38.
VIP Preview Evening Tuesday 21 January 5pm - 9pm
Wednesday 22 January 11am - 9pm
Thursday 23 January 11am - 7pm
Friday 24 January 11am - 7pm
Saturday 25 January 11am - 7pm
Sunday 26 January 11am - 5pm
BRITISH ART FAIR
GBS Fine Art are once again are exhibiting at The British Art Fair at the Saatchi Gallery in Chelsea. They will be on Stand 13 on the ground floor. Free tickets can be supplied on request.
Artists exhibiting: Jeffrey Blondes • Sue Bryan • Cathy de Monchaux • Jeremy Dickinson • Harriet Mena Hill • Keiron Leach • Georgia Moors • Jenny Pockley • Martin Prothero • Gill Rocca • Emma Tod
Thursday 26 September 11.00-21.00
Friday 27 September 11.00-20.30
Saturday 28 September 11.00-18.00
Sunday 29 September 11.00-17.00
Summer Group Show, Galerie Felli, Paris France
August/September 2024
Happy to be included in a Summer Group Show at Galerie Felli, 31, rue Saint-Paul 75004 Paris
For information, contact the gallery directly at
London Art Fair, GBS Fine Art, Stand 38
January 16 - 21 2024
The London Art Fair will open at the Business Design Centre in Islington on Wednesday 17th January and run through until Sunday 21st. As ever, GBS Fine Art can be found on Stand 38 on the main floor. The gallery have been allotted a modest amount of tickets to pass on, so if you would like to attend, please email info@gbsfineart.com, specifying which day best suits you, and we will do our best to accommodate you via the organisers’ new ticket portal.
Galerie Felli, Paris, France
Group Exhibition December 7 - January 11 2024
Delighted to be taking part in a winter group exhibition in Paris. For information, please contact the gallery directly at contact@galeriefelli.com
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'Vanishing Point'
Carrie Haddad Gallery
December 1 2023 - January 28 2024
'Painters are often lauded for their handling of light, but it is the depiction of darkness that so distinguishes Sue Bryan's work. It’s always twilight inside Bryan’s picture plane; upon dim sighs of sunlight, she renders thickets of umbrage in charcoal and acrylic paint.'
Opening Reception December 2 from 4 - 6
'Vacation'
GBS Fine Art
August 5 - September 3 2023
Inspired by Rita Dove’s poem, Vacation, GBS Fine Art presents its first online-only exhibition for you to peruse, wherever you may be.
Summer In The Back Gallery, GBS Fine Art
June 17 - July 31 2023
Delighted to be participating in GBS Fine Art's Summer Group Show in the beautiful city of Wells, Somerset. A selection of drawings from my vintage book page series will be on view until the end of July. Contact the gallery directly for information.
GBS Fine Art
I will be showing work with GBS Fine Art at the London Art Fair, Islington Design Center from January 17 - 22 2023
Whose Woods These Are : Aspects Of Landscape
GBS Fine Art, Wells, Somerset, UK
December 2 - January 14
Group Show, GBS Fine Art
June - September 2022
Happy to be participating in a group show at GBS Fine Art in Wells, Somerset, UK. The show will run until the end of September.
Summer Group Show
Galerie Felli, Paris, France
I am pleased to be participating in a Summer Group Show at Galerie Felli, Paris, France, from June 9th until July 9th 2022.
'Bold Little Beauty'
Carrie Haddad Gallery
April 6th - May 30th 2022
Julia Whitney Barnes, Linda Newman Boughton, Sue Bryan, Shawn Dulaney, Susan Hope Fogel and Betsy Weis
Opening Reception: Saturday, April 9th, 5-7pm
GBS Fine Art
London Art Fair
April 20 - 24 2022
Featured artists
David Abram • Emily Allchurch • Jeffrey Blondes • Sue Bryan • Serena Curmi • Robert Davies • Machiko Edmondson • Hugh Hamshaw Thomas • Sean Henry • Magnus Petersson • Rob Reed • Gill Rocca • Richard Seymour • Mark Thompson • Harriet White
GBS Fine Art, Wells, England
September 2021
I am delighted to be participating in a group show at GBS Fine Art : To inaugurate the new gallery at 13 Sadler Street in Wells, GBS Fine Art are proud to announce an opening exhibition entitled Concrete and Tyres, referencing a verse from Larkin’s 1972 poem Going Going. To ensure that we keep our visitors and collectors as safe as possible, the private view will run across 2 days, the 17th and 18th September from 11am until 8pm. Refreshments will be served.
"And that will be England gone, The shadows, the meadows, the lanes, The guildhalls, the carved choirs. There’ll be books; it will linger on In galleries; but all that remains For us will be concrete and tyres."
From 'Going going' by Philip Larkin (1922-85)
3 Person Show, Galerie Felli,
Paris, France, Sept 4 - Oct 3 2021
I am delighted to be included in a three person show this Fall in Galerie Felli alongside Jeanne Bouchart and David Maes.
A 3D tour of the exhibition is available here
Place As Memory
Carrie Haddad Gallery, December 3 - January 31 2021
'Reverie 1', Charcoal & Watercolour on Two Rivers Paper, 2020
Carrie Haddad Gallery is pleased to present “Place as Memory”, a group exhibit exploring the interpretation of landscape through memory. As place is reinterpreted by the mind, details are altered, and characteristics become imbued with an artist’s personal style or emotional outlook. Featured artists, Richard Britell, Sue Bryan, Shawn Dulaney, Susan Hope Fogel, Eric Lindbloom, Ricardo Mulero, Linda Newman Boughton and Leigh Palmer highlight this process with ethereal landscapes, abstracted by the mind’s eye as if from a distant memory. The show will be on view December 1 – January 31. We are unable to host an opening reception at this time, but we are open to the public with easy protocols in place to keep you safe during your visit!
Summer Group Show
Galerie Felli, Paris France
I am delighted to be participating in a group show in Galerie Felli until July 26, which will include a wonderful selection of work by gallery artists.
Group Show, Galerie Felli, Paris, France,
June 10 to July 26 2020
'Fleur'
Charcoal & Graphite on Arches mounted on Wood
18 x 18 in
Choose Art/Give Light, June 8 - 29 2020
I am donating two original drawings to support a silent auction to raise money for Choose Love Help Refugees. I am one of 150 artists participating, with proceeds from sales going towards aiding refugees during the Covid crisis. Bidding starts on June 8, so please dig deep friends and support this extremely worthy cause. Help Refugees advocates for long term impact against injustice and provides critical support to vulnerable communities. All funds raised during this silent art auction will go towards increasing support to medical organizations who provide doctors and nurses, emergency isolation, vital access to medical treatment and water, and distribution of sanitary products to aid the preventative spread of Covid 19.
31st National Print & Drawing Exhibition
Gormley Gallery
Gormley Gallery 31st National Drawing & Print Competitive Exhibition
Very pleased and honored to have work selected for the Gormley Gallery's 31st National Drawing & Print Competitive Exhibition. Curated by Doreen Bolger, former director of the Baltimore Museum of Art, the exhibition runs from March 23 until April 24 at the Notre Dame of Maryland University.
I am delighted to have work included in a group show opening in Paris at Galerie Felli on December 12. The exhibition will run until January 5 2020.
'A Quiet Respite'
Carrie Haddad Gallery is pleased to present a group exhibit entitled A Quiet Respite, featuring new work by gallery artists who have dedicated their artistic practice to capturing our natural world. As another decade in the 21st century comes to an end, technology now finds itself ingrained in nearly every facet of daily life. When the weight of such connectivity becomes too great, oftentimes, one seeks solace in nature, whether it be in the backyard or a distant getaway. The landscapes highlighted in this exhibit, both real and imagined, are realized for their ability to provide just that; a respite away from it all. Paintings by David Konigsberg, Jane Bloodgood-Abrams, Harry Orlyk, Tracy Helgeson, Judy Reynolds and Eileen Murphy will be on view alongside intricate charcoal drawings by Sue Bryan. The show will be on view November 13 – January 5, with an artists’ reception on Saturday, Nov. 16, 5-7pm. All are welcome to attend.
Group Exhibition, Claremorris Gallery, Co. Mayo, Ireland
November 16 - 30 2019
Claremorris Gallery
I am delighted to be included in a wonderful group show in the Claremorris Gallery along with Michael Wann, Aidan Crotty, Emma Stroude, Imelda Kilbane and David Smith. The exhibition opens on November 16 and runs until November 30 2019.
Main Exhibition, Boyle Arts Festival,
King House, Boyle, Co. Roscommon, Ireland,
July 18 - 27 2019
I am happy to have been invited by curator Paul McKenna to exhibit work in the Main Exhibition of the Boyle Arts Festival, which will take place in the beautiful venue of King House this summer :
'And The Air Was Gloomy Green'
Charcoal, Carbon & Pastel on Museum Board, 9.5 x 9.5 in', 2018
Group Show, Galerie Felli, Paris, France
June 27 - July 27 2019
I will have work included in a wonderful group show this summer in Paris, with Eric Roux Fontaine, Goxwa, Marina Ho, Agnes Baillon, R Ferri, Ruben Fuentes, Jeanne Bourchart and Katarina Axelsson
Royal Hibernian Academy 189th Annual Exhibition
I am thrilled to have a piece selected for the RHA's Annual Exhibition. Irelands largest and longest running exhibition of visual art, the RHA Annual Exhibition, returns for its 189th year. Open to the public, with free admission, from Monday 21 May the Annual Exhibition attracts a large audience with over 51,000 visitors during 2018 viewing works by 416 artists working in paint, sculpture, drawing, print, photography and architecture.
Group Show, Galerie Felli, Paris, France
April 17 - May 12 2019
I am delighted to share that I now have representation in Paris with Galerie Felli, and I will have work included in a Group Show from April 17 to May 12.
'Interlopers : Works on Paper', Evoke Contemporary, Santa Fe, New Mexico
April 26 - May 25 2019
I am delighted to take part in a group exhibition of works on paper in Evoke Contemporary, Sante Fe, New Mexico. I will be showing three panels (see two below).
I will be exhibiting work with Danese/Corey at 'Art On Paper', Booth 305, Pier 36, from March 7 - 10 2019 (see below)
'The Golden Apple Tree', Danese Corey, Booth 305, Art On Paper, Pier 36, March 7 - 10 2019
'Winterlong', Danese Corey, Booth 305, Art On Paper, Pier 36,
March 7 - 10 2019
'Waif', Charcoal & Carbon on Arches mounted on Wood, 10 x 10 in, 2017
I am delighted to share that my drawing 'Waif' has been selected as a finalist for the Manifest Grand Jury Prize, Season 14. The 52 finalists represent the highest ranking artworks out of roughly 8,200 separate works submitted for consideration across 21 group and 9 solo exhibitions during Manifest's 14th season. Based on jury scores the highest scoring work from each exhibit of the season is added to the pool of candidates for the annual Grand Jury Prize. Juries for the exhibits are conducted 'blind' without reference to the artist's personal info, location, or background. Jurors are volunteer experts in art and design from across the United States, including professors, working artists, curators, gallery directors, and others qualified and trusted to provide sound objective judgment of the works provided. Each jury usually consists of at least 5 jurors, and sometimes more than 10. Jury groups are shuffled and changed from exhibit to exhibit, so a pattern does not result.
I am honored to have my work featured on the cover of Manifest Gallery's 12th International Drawing Annual. For the INDA 12 Manifest received 1540 submissions from 476 artists from 42 states, one U.S. territory, and 28 countries. The publication will include 120 works by 76 artists from 20 states and 11 countries. Written works by Patricia Emison and Eric Rennie are also included.
Eleven professional and academic advisors qualified in the fields of art, design, and art history juried this 12th International Drawing Annual. The process of selection was by anonymous blind jury, with each jury member assigning a quality rating for artistic merit to each work submitted. The entries receiving the highest average combined score will be included in this publication.
This Online Supplemental Resource will provide information and details of sample works for each artist included in the publication by the time the publication is released to the public in late 2018 or early 2019.
28th Annual Holiday Miniature Show, Abend Gallery
November 3 - 24 2018
Opening Reception November 3, 6 - 9pm
In its 28th year running, this December the Annual Holiday Miniatures Show at Abend is an exhibition for everyone. With work from a wide range of artists, from emerging to well-established, and spanning multiple genres, art appreciators of all types will delight in this engaging and long-standing exhibition which fills the entire expansive gallery space with over 50 artists contributing anywhere from 200 to 300 original works of art. The exhibition will also afford art collectors the opportunity to add some very prominent signatures to their personal gallery at more modest prices.
Blue Mountain Gallery Summer Juried Show
July 10 - 28 2018
Blue Mountain Gallery is pleased to announce its Summer Juried Show featuring 34 artists from all over the United States. The juror, John Yau, selected pieces in a range of styles from over one thousand entries. Yau is an art critic and curator as well as a distinguished poet, recently winnng the prestigious 2018 Jackson Poetry Prize. He has authored monographs on Philip Taaffe, Thomas Nozkowski, Catherine Murphy, and many other artists, contributing essays to many catalogues and museum publications. He has written for Art in America, Artforum, Art News, New York Times, Los Angeles Times and Art Press and in 2012 helped start the online journal, Hyperallergic Weekend, where he frequently posts reviews. His work is included in many anthologies of poetry, fiction, and criticism, and has been translated into French, German, Italian, Portuguese, Spanish, and Chinese. A recipient of awards and fellowships from the John Simon Guggenheim Memorial Foundation, National Endowment of the Arts, Academy of American Poets, New York Foundation of the Arts, Ingram Merrill Foundation, and the General Electric Foundation, he has been named a Chevalier in the Order of Arts and Letters by the French government. Yau will be present at the opening reception on July 12.
'DRAWN'
Manifest Gallery, OH, April 20 - May 19 2018
I am honored to be included in Manifest Gallery's 5th annual 'DRAWN' exhibit. DRAWN called for artists to submit works of drawing in any media relevant to the practice (including non-traditional approaches), any style, and any genre (fine art, illustration, design, conceptual, realism, etc.).
For this exhibit 217 artists from 38 states, the District of Columbia, and 12 countries submitted 632 works for consideration. Forty-four works by 33 artists from 18 states and the countries of Australia, Canada, England, and France were selected by a panel of volunteer jurors for presentation in the gallery and the Manifest Exhibition Annual publication.
(Image 'Heart Land', Charcoal & Graphite on Museum Board, 8 x 10 in', 2016)
Florence Academy of Art, 888 Newark Avenue, Jersey City, New Jersey,
April 29 - June 22 2018
I am delighted to participate in ‘ON PAPER, An Exhibition of Drawings’ curated by Jordan Sokol and Amaya Gurpide featuring an extraordinary selection of works on paper by over thirty of today’s leading figurative artists.
Don’t miss the opening on April 29 2-5 pm in Jersey City. There will be an accompanying digital catalog where all the work can be seen and purchased online.
Artists Magazine, May 2018 Issue
Artists Magazine, May 2018
I am honored to share that my drawing "Urchin' was selected as Third Place prize winner for the Artists Magazine's sixth annual Shades of Gray competition.
'Monochrome', Bo.Lee Gallery, London
February 22 - March 10 2018
A selection of my miniature work will be on view in a group show of monochrome work at Bo.Lee Gallery, 222 Rye Lane, Peckham, London from February 22 to March 10. Artists include Sue Williams A'Court, Paul Fry, Ambrosine Allen, Peter Newell-Price and Michalitsa Kozakopoulou.
I am honored to be included on a list of '18 Artists to Watch in 2018', published by The Blue Review Magazine this month.
'The Way of the Wild : Charcoal Landscapes by Sue Bryan'
"In the presence of Bryan's work, one feels like a wanderer who has just stopped to consider his surroundings. These aren’t just scenes—they are moments."
Read the full article written by Carrie Haddad Gallery on Artsy.net
'Read This If You Want To Be Great At Drawing'
Delighted to have one of my 'tinys' featured in a new book on drawing written by artist Selwyn Leamy and published by Laurence King Publishing in London. My section is titled 'Be Dark and Moody'...!
'Arboreal', Manifest Gallery, OH, November 9 - December 8 2017
Trees cover about 30% of the Earth's land surface. There are roughly 400 trees per every living human on Earth. 12,000 years ago, before people developed agriculture, there were twice as many trees.
If there is any natural form beyond the ocean that is more symbolic of nature as the origin of humanity, it is trees. Both are powerful beyond our reckoning in their own ways, and each provides an unappreciated resource, assumed, until most recently, to be infinite. Trees are the lungs of the Earth, and thereby an extension of the lungs of any breathing creature, including us.
How do artists interpret the role or form of the tree? What meaning is derived from a creative response to this force of nature? How are the fates of trees, forests, and mankind intertwined, and how is this expressed through art? How do tree-based materials, and therefore trees themselves, influence the artwork that they are used to make? Manifest invited artists working in any media to share works that either directly or indirectly address the topic of trees or related aspects. The theme was open to wide interpretation, and works were expected to explore various avenues of thought around the tree, its dependents, or its wood.
For this exhibit 238 artists from 44 states, Canada, the Czech Republic, Israel, Lebanon, and The Netherlands submitted 754 works. Eighteen works by the following 16 artists from 9 states and England were selected by a blind jury process for presentation in the gallery and the Manifest Exhibition Annual publication.
Affordable Art Fair, Battersea Autumn, London
I will be showing some tiny work in London with Jamm Gallery at the AAF in Battersea Park, Stand A8
October 19 - 22 2017
Hudson Valley Landscapes, Carrie Haddad Gallery
Hudson, New York, November 15 - December 31 2017
Carrie Haddad Summer Group Show
Hudson, New York, June 21 - August 6 2017
"The center gallery will feature a selection of works on paper by several gallery artists. The moody charcoal landscapes in miniature format by Sue Bryan have delighted art lovers since she joined the roster in 2016. With an exquisitely detailed use of charcoal and carbon pencil, Bryan achieves luminous displays of light cast onto mingled trees, dirt paved country roads, and forest vignettes. The postage stamp- sized landscapes have the capacity to engage as much as the larger sized drawings, demonstrating the power between subject and scale."
'A Long Way from Home', Bo Lee Gallery, London
June 16 - June 30 2017
PRESS RELEASE
'A Long Way From Home' brings together the work of Irish born Sue Bryan and American born Michelle Conway, two artists whose fascination with memory and place may be traced in their respective relocations across The Atlantic.
Now based in New York, Bryan’s atmospheric miniature drawings in charcoal and carbon refer to her memories of growing up in Ireland. The softness of these natural scenes express an obscurity and cloudiness caused by factors relating both to the weather and in our ability to conjure a memory in the mind’s eye. In her choice of charcoal as medium, Bryan’s natural scenes are created with an implied sense of origin. She describes: ‘Much of drawing’s appeal to me lies in its very constraint, in its simplification, in the reduction of nature’s macrocosm to the coal-black char of organic matter. For me, the act of drawing is an end in itself." - Sue Bryan.
Muted and soft in tone, Conway’s landscapes in oil depict vacant scenes that might normally be frequented by people. These spaces of leisure, habitation and of in-between waiting spaces are evocative of 1960s snapshots and contain traces of her American heritage. The artist describes: ‘painting reminds me of what no longer exists. It is my way of experiencing the world as it is’. Splashes of colour are often picked out within these familiar spaces, as if to further aid the memory or update them to the present day.
Presenting the viewer with these scenes of non-specific locality, A Long Way From Home invites us to consider our own sense of belonging and shared nostalgia.
‘A place belongs forever to whoever claims it hardest, remembers it most obsessively, wrenches it from itself, renders it, loves it so radically that he remakes it in his own image’
- Joan Didion
Royal Hibernian Academy 187th Annual Exhibition
May 23 - August 12 2017
I am delighted to share that two of my drawings have been accepted into the RHA's 187th Annual Exhibition, which opens in Dublin, Ireland on May 23 and runs until August 12.
'PALETTE'
Abend Gallery, Denver, CO, June 15 - July 8 2017
Curated by Dina Brodsky & Trex Lexington
I am delighted to participate in 'Palette', an exhibition to be held in the Abend Gallery, Denver, CO, from June 15 until July 8. As I don't use a palette in the traditional sense of the word, I chose to interpret the definition of the word 'palette' figuratively, as in the variety of techniques, or range of colors an artist may use. My process is one of building up tones and textures using a technique of charcoal and carbon combined. This process yields a wonderful range of blacks and grays that vary in density and transparency as much as in tonality.
'Exquisite Abandon : Contemporary Miniature Works', Laguna College of Art & Design, CA, April 4 - 28 2017
Laguna College of Art + Design is proud to present Exquisite Abandon: Contemporary Miniature Works, an exhibition of works of art rendered in exquisite miniature by Megan Aline, Dina Brodsky, Sue Bryan, Christopher Charles Curtis, Thomas Doyle, Alia El-Bermani, Grandmondo and Robin Smith.
Each of the more than carefully crafted miniature drawings, paintings and sculptures in Exquisite Abandon offers a voyeuristic gaze into quotidian memories and dreams, many appearing as eerily dashed or in decay, but always compelling and rendered with meticulous proficiency.
Curated by: LCAD’s Chair of Fine Arts, Hope Railey
Black & White Show, Salmagundi Club, New York City, February 6 - March 2 2017
I am delighted to have a piece in the Salmagundi Club's historical Black & White Show. The first Black & White Exhibition at the Salmagundi Club took place in 1878, only a few short years after the Club was formed. It provided a rich catalogue of the artists of the day, and interestingly enough, exhibitors did not originally need to be members to participate. As the public's interest in illustration grew, these exhibitions provided artwork for a variety of purposes, and many of the works initially shown in these shows went on to be published in the burgeoning magazine market of the late 19th century. The "Black and White" has taken place yearly since then.
'Small is Beautiful', Le Salon Vert, Geneva, Switzerland
In February 2017, the Carouge gallery Le Salon Vert is hosting a group show, including works by Silke Albrecht, Susanna Bauer, Nicolas Bernière, Valérie Besson, Sue Bryan, Barbara Cardinale, Alphachanneling, Marc Elsener, Daniel Galasso, Tami Ichino, Francoise Kohler, Ruth Lauer Manenti, Melanie Little Gomez, Katherine Morling, Kazuki Nakahara, Nina Schippoff, Mathilde Tinturier, Alexia Turlin, Heike Weber and Sue Williams A’Court.
'100 Great Drawings', Poets and Artists Magazine, Invited Artist, December 2016
My thanks to Steven Da Luz, curator of '100 Great Drawings', for inviting me to participate in this publication. I am truly honored to be included with such highly accomplished artists:
Amaya Gurpide, Austin Uzor, Batya Kuncman, Carol Prusa, Casey Childs, Daniel Bilmes, Denis Chernov, Dorian Vallejo, Edgar Jerins, Gordon Hanley, Gromyko Semper, Isaac Pelepko, Jenny Reyneke, Johan Barrios, John Kennedy, John Walker, Joseph Todorovitch, Karen Kaapcke, Kay Ruane, Lauren Amalia Redding, Mark Reep, Mark Tennant, Martin Campos, Michael Mentler, Michael Newberry, Nelli Leventa,Olena Babak, Paul Heaston, Rebecca Venn, Ryan ShultzSeongjin Kim, Serena Potter, Shane Wolf, Stephanie Rew, Stephen Faulk, Stephen Hughes, Stephen Yavorski, Sue Bryan, Sue Tatham, Tamie Beldue, Tanja Gant, Teresa Oaxaca, Yavora Petrova, Zhaoming Wu
8th Annual Drawing Discourse Exhibition, S Tucker Cooke Gallery, University of North Carolina Asheville, January 20 - February 17 2017
The University of North Carolina Asheville seeks to examine drawing as it is practiced and defined by today's artists. Such an exhibition will demonstrate the continued significance of drawing through the use of conventional and innovative methods. I am honored to have work selected by Juror Scott for inclusion in the show.
'Smart Dust', Group Show, Sla307, 307 West 30th Street, New York, NY, December 9 - January 7
I am delighted to have a piece included in 'Smart Dust', a group exhibition presented by Sla307. The term "Smart Dust" was dreamed up by UC Berkeley Professor Kris Pister in the 1990s. In this futuristic conception, the planet is sprinkled with zillions of micro/nano electro mechanical systems (MEMS), which monitor, detect, and interpret everything on Earth: light, temperature, vibration, magnetism, weight, chemicals, and, by extension, human thoughts, feelings, and desires. In a poetic way, this neural dust acts like the planet's central nervous system. In a more dystopian interpretation, it can become an ultimate totalitarian mind control machine. Works are no bigger than 8 in x 8 in - with the idea of creating tension between a minimum of size and a maximum of contributors. The smallness of each part allows others to coexist in the same universe.
'Inside Outside', Carrie Haddad Gallery, Hudson, New York, October 19 - December 4 2016
Carrie Haddad Gallery is pleased to present INSIDE OUTSIDE, an exhibit that merges unique perspectives of the natural and man made landscapes. The tradition of artists documenting their environment is one that transcends time and trend. Whether it be a reproduction of an iconic Hudson River view, the Brooklyn bridge, or the living room at grandma’s house, these works reveal the power of the landscape to transport the viewer to a time and place while inspiring a feeling that is at once personal and universal. This group exhibit will showcase paintings, drawings, collages and photography by 10 artists, opening October 19th – December 4th. A reception for the artists will be held Saturday, October 22nd from 5-7pm.
Fresh Paint Magazine, Issue 15, October 2016
Thrilled that my work will be featured in Fresh Paint Magazine in October, Issue 15 curated by Jemma Hickman of Bo.Lee Gallery, London. Happy Days!
New York City Invitational Group Show, George Billis Gallery, 525 West 26th Street, New York, July 26 - August 20 2016
I am delighted to be included in an Invitational Group Show curated and hosted by George Billis, of George Billis Gallery, New York City. 'Aperture IV' will be on exhibit from July 26 until August 20. The Opening Reception takes place on Thursday, July 28 from 5 until 8 pm, all are welcome.
'Williams Prize in Drawing' Exhibition, Silpe Gallery, Hartford Art School, CT, Jun 28 - July 24 2016
The Williams Prize in Drawing for Emerging Artists is a celebration of drawing as a critical element in contemporary art making and as an art form with powerful expressive possibilities. The prize was designed to provide a venue through which emerging artists can share, on a national stage, both their unique visions and their drawing skills. My thanks to Juror Douglas Martenson for selecting my drawing 'None But Ourselves' for this exhibition.
132nd Annual Members' Exhibition, Salmagundi Club, NYC,
April 25 - May 19 2016
I am honored to have my drawing 'The Garden of the Golden Apples' included in the Salmagundi Club's Annual Members' Exhibition. The show opens on April 25 and runs until May 19 2016.
Founded in 1871, the Salmagundi Club is one of the oldest art organizations in the United States. Housed in an historic brownstone mansion in Greenwich Village, New York City, its members have included important American artists such as Thomas Moran, William Merritt Chase, Louis Comfort Tiffany, N.C. Wyeth and Childe Hassam.
'DRAWN', 3rd Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH
I am delighted to have two pieces included in this exhibition. 'DRAWN' called for artists to submit works of drawing in any media relevant to the practice (including non-traditional approaches), any style, and any genre (fine art, illustration, design, conceptual, realism, etc.).
For this exhibit 422 artists from 43 states, Washington D.C., and 16 different countries submitted 1294 works for consideration. Fifty-two works by 37 artists from 17 states (California, Colorado, Florida, Illinois, Indiana, Kansas, Kentucky, Maryland, Massachusetts, Michigan, Missouri, New York, North Carolina, Ohio, Texas, Utah, Washington) and England were selected by a large panel of volunteer jurors for presentation in the gallery and the Manifest Exhibition Annual publication.
186th Annual Exhibition, Royal Hibernian Academy (RHA), Dublin, March 21 - June 11 2016
I am honored that my drawing 'Time and Place III' has been selected for the RHA's 186th Annual Exhibition in my hometown of Dublin, Ireland. The Royal Hibernian Academy was founded in 1823 and the original purpose-built building, designed by its second President, Francis Johnson (1760-1829) in 1825, was situated on Lower Abbey Street. Academy House, most of its contents and the entire annual exhibition were destroyed by fire during the Easter Rising in 1916. To commemorate the 1916 Easter Rising, the 186th RHA Annual Exhibition will return to its original time of the year and will be open to the public from March 22nd until June 11th.
Historic Black & White Show, Salmagundi Club, New York City, January 18 - February 4 2016
I am delighted to have two drawings included in The Salmagundi Club's historic Annual Black and White Exhibition. This show is a juried members' exhibition of black and white or monochromatic sepia drawings, graphics, photographs, paintings, and sculpture by artist members. Admission is free to all visitors. The galleries are open to the public daily, Mon-Fri 1-6pm, Sat & Sun 1-5pm.
The first Black & White Exhibition at the Salmagundi Club took place in 1878, only a few short years after the Club was formed. It provided a rich catalogue of the artists of the day, and interestingly enough, exhibitors did not originally need to be members to participate. As the public's interest in illustration grew, these exhibitions provided artwork for a variety of purposes, and many of the works initially shown in these shows went on to be published in the burgeoning magazine market of the late 19th century. The "Black and White" has taken place yearly since then.
7th Annual Drawing Discourse, S.Tucker Cooke Gallery, UNC Asheville, January 15 - February 12 2016
I am delighted to announce that my drawing 'The Memory of Trees' has been selected for the 7th Annual Contemporary Drawing Exhibition at the University of North Carolina, Asheville by juror Edgar Jerins. The University of North Carolina Asheville seeks to examine drawing as it is practiced and defined by today's artists. Such an exhibition will demonstrate the continued significance of drawing through the use of conventional and innovative methods.
'Radical Inventions', Carrie Haddad Gallery, Hudson, New York,
November 18 - December 27 2015
"A native of Ireland, Sue Bryan explores the memories of youth rooted in her homeland's landscape. Employing charcoal on both paper and panel, these moody and misty studies remind us that the water-locked terrain is not always sunny and green. Exquisite detail found in each tree branch or mass of tall grasses lining the horizon dominates the foreground. Light emulates from the background attempting to penetrate the density of opaque cloud cover. Bryan's small scale drawings convey an intimate and highly personal sense of place and belonging."
Carrie Haddad Gallery is pleased to present “Radical Inventions”, an exhibit featuring the work of six gallery artists. Painters David Konigsberg and Ralph Stout will show recent work alongside gallery favorite of fellow artist, Shawn Snow. Multi-media constructions by Stephen King will also be featured with large abstract works by architect turned visual artist, Juan Garcia Nunez. Sue Bryan will show recent drawings. The exhibit will open Wednesday, November 18th and will be up through Sunday, December 27th. A reception for the artists will be held on Sunday, November 22nd from 2-4pm. All are welcome to attend.
'On the Edge', South Shore Art Center, Cohasset, MA,
November 13 - December 20 2015
One of my drawings, 'Edgeland IV', has been selected by Denise Markonish, Curator of Mass MOCA, for inclusion in a national juried exhibition 'On the Edge'. The show will be on view in the the South Shore Art Center, Cohasset, MA from November 13 to December 20, 2015.
'Small Matters of Great Importance', Edward Hopper Art Center, Nyack, NY,
October 23 - January 3 2016
I'm delighted that three of my drawings have been selected for the 22nd Annual 'Small Matters of Great Importance' , a national juried exhibition which celebrates small works that make big statements despite their size. In keeping with Edward Hopper-related themes, this year all submissions related to Light & Shadow. Light was an important expressive tool for Edward Hopper. As he said, “What I wanted to do was paint light on the side of a house.
